search for new musicals

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SEARCH FOR NEW MUSICALS

The Academy for New Musical Theatre is committed to an ongoing search to find and nurture promising new musical theatre. 

If you've written a musical, and you would like some honest, constructive, detailed feedback on how to make your musical better, you can submit your musical to ANMT for dramaturgical feedback at levels from evaluation to analysis to table reading to workshop to concert reading.

All musicals submitted (at any level) to ANMT by DECEMBER 15 of any year will be automatically entered in the Search for New Musicals for the next season. 

Click HERE to get email reminders for the Dec 15 deadline

Winners will be announced by March 15 following the annual deadline. The winner of the Search receives a workshop with the Academy Repertory Company, detailed feedback from the ANMT staff, and a concert reading in Los Angeles.  

Note:  There are fees attached to all of the levels of development available through ANMT.  The entry level is $100 for a 3-5 page written Script Overview; the next level is an in-depth 2-3 hour video Analysis for $400.  We know that some writers do not feel that there should be fees attached to script submissions, but our feeling is that the fee is for the Script Overview, and the entry into the Search is a side benefit.  If you are submitting your musical ONLY because you want to win a contest, then the Search probably isn't right for you. 

Click to view Evaluation Price List

SEARCH WINNERS

Announcing the results of
THE 2010 SEARCH FOR NEW MUSICALS

FIRST PRIZE:

GILBERT & SULLIVAN ON WALL STREET

book and lyrics by Charles Veley, music by Arthur Sullivan

Ex-billionaire Wall Street entrepreneur Frederick F. Freemarket is about to save the world's economy, make billions of dollars for his employees, and redeem his good name. What could possibly go wrong? This loving homage to the comedies of W.S. Gilbert , set to the music of Arthur Sullivan, is updated to the current stock market crisis.

GILBERT & SULLIVAN ON WALL STREET will receive a workshop with the Academy Repertory Company in May of 2010, and a concert reading as part of the 2010-11 Concert Reading Series at the Colony Theatre in Burbank.

SECOND PRIZE:

THE NEXT FAIRY TALE

by Brian Pugach

Imagine the chaos in fairy-tale land when the object of the Prince's affection turns out to be - another Prince!

The Next Fairy Tale will receive an ANMT staff table reading and feedback session in May of 2010.

THIRD PRIZE:

STRANGER TO THE MUSE

book and lyrics by Patrick Gallagher and music by Adam David Cohen

An aspiring screenwriter who knows nothing about love but is told he must incorporate it into his screenplay, decides to examine the great philosophical, literary, and cinematic explorations of love - causing the stories to come alive around him.

STRANGER TO THE MUSE will receive an ANMT Analysis.

Announcing the results of
THE 2009 SEARCH FOR NEW MUSICALS

FIRST PRIZE:

GREENBRIER GHOST

book by Susan Murray, music and lyrics by Clay Zambo

A dead woman's ghost comes back from the grave to accuse her husband of her murder.

GREENBRIER GHOST received a workshop with the Academy Repertory Company in May of 2009, and a concert reading as part of the 2009-10 Concert Reading Series at the Colony Theatre in Burbank.

SECOND PRIZE:

EMERALD

book & lyrics by Chris Burgess, music by Denise Wright

An Irish-American woman returns to the land of her ancestors, and finds herself "haunted" by the famed Black Pig.

EMERALD will receive an ANMT staff table reading and feedback session in May of 2009.

THIRD PRIZE:

DULA

book by Paul Elliott, music by Jeanie Cunningham, lyrics by Cunningham & Elliott

A fresh look at the story behind the infamous ballad of Tom Dooley.

DULA will received an ANMT Analysis.

SPECIAL MERIT:

GIRL DETECTIVE

book & lyrics by Alan Gordon, music by Mark Sutton-Smith

No secrets are safe now that the amazing Casey Ames is on the case!


Announcing the results of
THE 2008 SEARCH FOR NEW MUSICALS

FIRST PRIZE:

THE WATER

Book by Tim Werenko and Jeff Hylton, Lyrics by Jeff Hylton, Music by Georgia Stitt

A small American town comes to terms with the aftermath of a devastating flood.

The Water received a workshop with the Academy Repertory Company in May of 2008, and a concert reading as part of the 2008-09 Concert Reading Series at the Colony Theatre in Burbank.

SECOND PRIZE:

ROCKET BOYS

book by Homer Hickam, Jr., stage adaptation by Chris Budinich, music & lyrics by Diana Belkowski and Dan Tramon, dramaturgy by Carl Anthony Tramon

Based on the book by Homer Hickam, Jr. that was made into the feature film October Sky.

Rocket Boys received an ANMT staff table reading and feedback session in May of 2008.

THIRD PRIZE:

UNWRITTEN RULES

book by Danny Abosch and Tommy Noland, music & lyrics by Danny Abosch

A brand new teacher discovers high school politics.

Unwritten Rules received an ANMT Analysis.

SPECIAL MERIT:

IDAHO: The Comedy Musical!

book & lyrics by Buddy Sheffield, music by Buddy Sheffield and Keith Thompson

A loving (if slightly naughty) tribute to the musicals of yore.

Idaho received a concert reading as part of the 2008-09 Concert Reading Series at the Colony Theatre in Burbank. Also: winner of the Audience Pick prize at the 2008 New York Musical Theatre Festival.

Submit your musical...

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SEARCH TESTIMONIALS

FEEDBACK FROM SEARCH PARTICIPANTS

Here is some feedback from writers about their written EVALUATION OVERVIEW or video ANALYSIS:

"To get professional feedback for a ridiculously low fee, where else are you gonna go?"

-- David Fischer


"We are in receipt of your video and your analysis of the piece. After watching the video and taking notes, we feel as if a nurturing dramaturgical Mary Poppins has visited us with wonderful insightful nourishment. It appeared to us that you seemed to really relate to the characters we've established and are caught up with their plight and have come up with ways to strengthen them ... Your suggestions are invaluable to us and many will be integrated."

-- Ron Yatter


"Thanks for the honest evaluation. That's not easy to come by and the level of detail you provided far exceeded my expectations so I feel I got more than my money's worth. I realize that 'jukebox' musicals are sometimes viewed as the step children of the genre and I suppose in many instances rightfully so. But in my head I see the narrative arc of these songs clearly so I think I'll keep revising to improve the telling of that story rather than work it into more of a musical revue type piece. I hope I can get to LA to see one of your productions sometimes soon. "

-- S.D. Williams


"I realize I haven't been in touch since our reading, and I wanted to tell you three that our day of feedback has been incredibly useful and launched me into a completely new phase of work on the show. You've inspired me to start a serious education as a musical theatre writer"

-- Brian Pugach


"I just finished reading your evaluation and want to thank you So Much for your perspectives and time. What you wrote is exactly the kind of fundamental theatrical feedback I was hoping to get for the work. Its always hugely helpful getting feedback revealing where the conceptual blind spots are."

-- Les Oreck


"Thanks again for your honesty and smarts. Your candor, insights and graciousness are much appreciated. It's the best tutorial I've ever had and, like most artists, I generally don't sit still for tutorials."

-- Ed Goldman, Composer/Lyricist/Librettist, Friday@5


"The Search evaluation provided not only insights, but also inspirations - ANMT transformed the rewrite process into something exciting and fun!"

-- Charles Veley, G & S on Wall Street


"The real value of this service is in its rarity: from genuine industry professionals who have the clarity and vision to provide feedback with no bias or agenda and which asks the right questions and suggestions to enable YOU to genuinely UNDERSTAND how to make your work a better piece of musical theatre - the long term benefits of which are incalculable!"

-- Michael Dresser


"Any musical theatre project in development can benefit greatly from the objective, knowledgeable feedback services provided by the Academy for New Musical Theatre. Their efficient staff provides a supportive viewpoint, rare in the profession. "

-- Ramon Delgado


"ANMT offers something unique: an in-depth, thoughtful, honest appraisal of a work in progress. They deliver enormous value for a relatively small financial investment. I recommend the Search to any writer developing a new work for the musical stage. "

-- Stephen Telfer


"We submitted PLANET EDEN in one of its initial drafts and received amazingly detailed feedback. Clearly, whoever was assigned to our project had read the script numerous times and took copious notes and we got them all. This has been one of my most personally satisfying interactions with an arts advisory group that I have ever experienced!"

-- Aaron Kirk Douglas


"First of all, let me just say thank you ...for this amazing experience. I would be remiss if I didn’t just say how grateful I am for this experience. I will certainly recommend ANMT to other writers I know. "

-- Susan Murray, Bookwriter, Greenbrier Ghost


"Wow! So awesome! This is extremely helpful and – wow! I say it again! So amazing that you would spend your time helping us in this way. We cannot thank you enough."

-- Aaron Douglas, Planet Eden


"If anyone is hesitant about the cost of submitting to you guys, be sure to have them talk to me. Your evaluations are worth ten times the fee."

-- William Roetzheim, Producing Director


"Wow. This was a really detailed analysis. Many thanks."

-- John Piraino


" I wanted to say one more time just how truly stimulating the feedback that you gave on the original submission has been, and I look forward to more...You did a fantastic job with the analysis, enormously helpful -- and I love the video format."

-- Stephen Telfer


"We are so grateful for your thoroughness and the insight of your comments. Your report has given us a fresh approach to the project."

"I’ve never received a more cogent and useable evaluation before. I’m very comfortable with the critique process but I have never finished reading a critique/evaluation with as much desire and energy to go to work on and polish a piece."

"Thanks for the fantastic feedback that you provided on the evaluation. It sounds like you really understood my vision for the show more than many of the people I've shown it to."

"The critique was spot on. I would say that the work that you are doing is the most helpful I have ever received from any arts organization. I only wish that more organizations were able to do as much for the field of musical theater. I think that your entire approach is great, serving a wide number of artists at many different levels in their careers. An incredible process really."

"I thought the critique was very thorough, thoughtful, and encouraging, and it inspired many new ways of thinking about my project."

"I found the feedback extremely helpful. It was thoughtful, thorough and very supportive. This is the first time I have attempted to write the music, lyrics and book and your comments have re-energized me and I am currently hard at work on a second draft of my piece. Thank you so much!"

-- 2008 Search Writers


"Elise Dewsberry's rare gift for analyzing plot and character is enormously helpful to writers.  Her story sense is phenomenal."

-- Stephen Oles, bookwriter, Seattle


"Wow! Almost 45 minutes of detailed analysis -- I'm frankly feeling a bit blown away! Such helpful insights. I've listened to the evaluation twice now. MANY THANKS for taking so much time to share such helpful insights. "

-- Stephen Telfer


"Elise Dewsberry has been the most influential, helpful, encouraging but brutally honest mentor in my six year attempt to write the book and many of the lyrics of a Broadway-style musical. I recommend Elise without reservation. Entering the Search was the beginning of a year-long association with ANMT, and I will continue to seek Elise's help and very happily pay for it."

-- Sandy Wolf, Marina


"Just a huge thank you for the feedback and suggestions. Way more detailed and involved than I expected, and extremely constructive. Feeling energized."

-- David Fischer


"Without ANMT’s help this project would never have come this far! After last year’s search and Elise’s analysis before that, I have received top notch plot help, character development, and musical advice. Useful is not a strong enough word. ANMT has been a guiding force in this project’s evolution, for which I am most grateful. One of the most difficult things for writers is obtaining professional feedback. Working in a vacuum is almost impossible. Collaboration and constant outside feedback is part of the process. I would certainly recommend ANMT to fellow writers."

-- David Nelson


EXISTING SUBMISSION

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